{"id":972,"date":"2020-03-08T08:46:02","date_gmt":"2020-03-08T07:46:02","guid":{"rendered":"http:\/\/blogg.lnu.se\/unesco\/?p=972"},"modified":"2021-04-03T08:02:17","modified_gmt":"2021-04-03T07:02:17","slug":"preserved-for-the-future","status":"publish","type":"post","link":"https:\/\/blogg.lnu.se\/unesco\/?p=972","title":{"rendered":"Preserved for the future"},"content":{"rendered":"

Cornelius Holtorf contributed with Martin Kunze to the art project “Ineligible” which is currently displayed as part of the exhibition “Creative (Un)makings: Dispruptions in Art\/Archaeology<\/a>” that is curated by Doug Bailey and Sara Navarro and held at the International Museum of Contemporary Sculpture<\/em> in Santo Tirso, Portugal (6 March – 14 June 2020). Ineligible<\/em> removed archaeological\u00a0artefacts from the context of an excavation in San Francisco, disarticulates and repurposes them as raw materials in order to address contemporary political and social issues.<\/p>\n

\"\"<\/a><\/p>\n

Holtorf and Kunze\u00b4s work is entitled “Preserved for the future”, and it addresses\u00a0the global politics of loss and preservation. A shoe from San Francisco was burned reducing it to small fragments of minerals. The ceramic tile contains the photograph of a shadow of the shoe together with some of its tangible remains. A duplicate was deposited in the Memory of Mankind<\/a> storage facility at Hallstatt in Austria where it may survive for hundreds of thousands of years.<\/span><\/span><\/p>\n

In an ultimate act of preservation, the shoe of one human who lived a century ago has thus become part of the memory of humankind. To allow this prospect of preservation for the future, the shoe was translated into ashes and a shadow of itself. Ironically, this tile may be the only thing to survive from the excavation in San Francisco in the distant future.<\/p>\n

So: has the shoe been lost through the process or preserved?<\/p>\n

What will future generations make of this and other legacies of our time?<\/span><\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Cornelius Holtorf contributed with Martin Kunze to the art project “Ineligible” which is currently displayed as part of the exhibition “Creative (Un)makings: Dispruptions in Art\/Archaeology” that is curated by Doug Bailey and Sara Navarro and held at the International Museum of Contemporary Sculpture in Santo Tirso, Portugal (6 March – 14 June 2020). 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