Thoughts on the Church of Sweden’s apology to the Sámi people
2021-11-25
“After 85 years in the basement of Uppsala Carolina Rediviva /I find you /my mother my family my people /in the racial biologists 20 measurement tables /in the naked pictures”
Extract of the testimony of Rose-Marie Huuva
Yesterday, 24 nov 2021, the Church of Sweden apologized to the Sámi people in an official ceremony in Uppsala and live on their website. But what was it that they apologized for, and what does it really mean?
Before Antje Jackelen, the archbishop, gave the official apology, five representatives of the Sámi community gave their testimonies to the acts of abuse the Church has made itself guilty of. Their speeches were short, personal, and moving. They ranged from stories of loss of language and identity, to memories from the nomadic school, to finding one’s mother pictured naked in a photograph kept in the university library of Uppsala, and more. Hearing the testimonies, it becomes evident that the abuses the Church of Sweden is guilty of has had fundamental effects on every aspect of Sámi society.
The apology itself, given by the archbishop, was solemn. She touched on the areas of which the five representatives just before her had brought up – the Church acknowledged and apologized for their part in assimilation, dehumanization, and colonization of land. The apology was accompanied by a promise to keep on working for reconciliation, hopefully meaning: this is just the beginning!
What I hope for in the continued work towards reconciliation, and what I missed in Wednesdays ceremony is this: actual factual returning of land and power. The Church of Sweden owns 60 thousand hectare land in Luleå diocese, which yields 13 million sek per year.[1] Härnösands diocese owns just over 93 thousand hectare land[2], which in 2020 yield them 31 million sek.[3] What would it look like if the Sámi society got more power and influence when it comes to how the land is used, and over where the money it brings in is put?
For how can the church of Sweden apologize for sweeping Sámi religion under the rug, treating the students of the nomadic school as less than; opening the door for racial biology in Sweden; and taking the lands from the Sámi people – without subsequently working for opportunities for Sámi people to rediscover their spirituality and heal the generational trauma colonialism has effected in, advocate for pictures of and actual remains of Sámi ancestors be returned/buried, and give land back?
Alva Blomkvist
Sources:
[1] https://www.svenskakyrkan.se/luleastift/skog
[2] https://www.svenskakyrkan.se/harnosandsstift/skog-och-egendom
[3] https://www.svenskakyrkan.se/filer/500252/Egendomnsn%C3%A4mnden2020_l%C3%A5g.pdf?id=2229556
 
			 Memory and hybridity are important concerns in migration literature. Expatriate authors write about vary from traditional English novels. How the Garcia Girls Lost Their Accents (1991) by Julia Alvarez is a novel about a Dominican family who move to the USA. The characters live in a hybrid and cultural context. It is difficult for them to overcome not only the language barriers but also the cultural shocks. They find themselves living in a hybrid condition that makes them belong to none. Physically, they feel restricted by cultural differences and language barriers in the USA; mentally they feel nostalgic about the glory of the past. The article sketches the role of memory and hybridity in forming identity.
Memory and hybridity are important concerns in migration literature. Expatriate authors write about vary from traditional English novels. How the Garcia Girls Lost Their Accents (1991) by Julia Alvarez is a novel about a Dominican family who move to the USA. The characters live in a hybrid and cultural context. It is difficult for them to overcome not only the language barriers but also the cultural shocks. They find themselves living in a hybrid condition that makes them belong to none. Physically, they feel restricted by cultural differences and language barriers in the USA; mentally they feel nostalgic about the glory of the past. The article sketches the role of memory and hybridity in forming identity.
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