Posts Tagged ‘diverse futures’

Heritage Processes and Nuclear Waste

Monday, June 14th, 2021

Cornelius Holtorf presented at the second capacity-building workshop of the Expert Group on Awareness Presentation, which is part of the Nuclear Energy Agency’s Working Party on Information, Data and Knowledge Management at the OECD. Even Anders Högberg participated.

During the session, held on 14 June 2021, the 30+ participants discussed the significance of understanding human behaviour in all its complexity. In relation to mechanisms of awareness preservation we will need to shift focus: from creating to consuming, from intentions to impacts, and from assets to outcomes. This requires understanding social and cultural processes, and entering the realm of the human sciences, including anthropology, sociology, psychology, etc.

In each specific context anticipated, we need to be asking questions such as

  1. What’s happening?
  2. Who’s involved or affected?
  3. In what socio-cultural context?
  4. With what socio-cultural consequences?

In a second step, we need to learn how to manage processes changing over time: how can we today facilitate certain socio-cultural processes in novel futures which will be changing further with time? This will require not to be creating continuities but to be facilitating discontinuities (constituting meta-continuities). How this can be achieved is a difficult question and there are no ready answers.

International Day of Monuments and Sites

Sunday, April 18th, 2021

18 April is the International Day of Monuments and Sites, coordinated by ICOMOS. This year the theme is “Complex Pasts – Diverse Futures”.

Our UNESCO Chair on Heritage Futures participates in the International Programme, representing Sweden, with a digital exhibition entitled Balloon Head: Iran’s Constitutional Revolution Reconfigured and curated by Leila Papoli-Yazdi.

Focusing on Iran’s Mashrouteh (Constitutional) Revolution, Ali Roustaeeyanfard’s paintings reconfigure historical photographs of complex historic events and processes at the beginning of the 20th century.

By adding colourful anachronistic details to the original motifs of the photographs his work depicts unimagined futures and the need to re-narrate the past in every present. The paintings illustrate that there are unexpected and diverse futures, both of the past and of the tangible heritage that reminds us of the past in the present. Roustaeeyanfard’s hope is to revive the forgotten heritage and history of voiceless people in order to fulfil their original dream of achieving freedom and progress through the Revolution.