UNESCO

Chair on Heritage Futures

Creative (un)makings: disruptions in art/archaeology

Postat den 5th February, 2020, 20:19 av Cornelius Holtorf

An exhibition at Santo Tirso International Museum of Contemporary Sculpture in northern Portugal, 6 March – 21 June 2020.

Art/archaeology argues that writing and thinking about the past should move beyond existing boundaries of both disciplines, and that creative work should replace written texts and lectures. Art/archaeology opens a new space where creative work, thought, and debate expand in unexpected directions, and where we find innovative potentials for objects from the past.

Cornelius Holtorf (with Martin Kunze) prepared a contribution to this exhibition entitled “Preserved for the Future”. This work illustrates the creativity in all preservation and challenges the widespread preservation paradigm according to which the cultural heritage is constantly at risk and must be saved from loss.

“Preserved for the Future” is part of the larger installation called Ineligible which takes artefacts from an excavation in San Francisco and uses them as raw materials in order to make new artistic work that stimulates museum viewers’ thoughts about a variety of contemporary issues. More here.

Det här inlägget postades den February 5th, 2020, 20:19 och fylls under blogg

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